01
Select a clip
Choose a clip on your Premiere Pro or After Effects timeline. Prysmor reads your in and out points from the panel.
How it works
The workflow editors already use, with AI generation built into the panel.
01
Choose a clip on your Premiere Pro or After Effects timeline. Prysmor reads your in and out points from the panel.
02
Write what you want: relight, a new background, rain, fire, or removal. Optional reference image for precise looks.
03
Prysmor renders at up to 4K and places the result back on your edit. No export, no round-trip, no separate app.
Capabilities
Relight, replace backgrounds, and add VFX from the same Adobe panel. Each mode keeps your clip on the timeline.
01
Change the light without rebuilding the grade. Identity and motion stay locked to your source clip.
Example: warm backlight, late afternoon haze
02
Replace any backdrop in seconds. No green screen, no rotoscoping, no round-trip to another app.
Example: neon city at night, soft bokeh
03
Fire, rain, smoke, and object removal. Production-ready effects without leaving your edit.
Example: heavy rain, keep subject dry
The comparison every editor already runs in their head.
A freelancer
Prysmor
Cost
$300–1,500
per shot
$59
once · around 30 shots
Turnaround
Days
of back-and-forth
Minutes
while you keep editing
Delivery
A file to import
then conform, then re-render
4K on your timeline
inside Premiere, no export
Pricing
No subscription. Nothing renews. Both the Premiere Pro and After Effects panels are included.
Prysmor Lifetime
70% off$59
one-timeWhat you get
7-day money-back guarantee
Secure checkout
Reading this on your phone? Prysmor installs on your desktop. We'll email you the prompt library and a link to pick this up on your computer.
Pay once. You only ever pay again if you want more render time.
Testimonials
Real feedback from editors using Prysmor.
“Pulled a boom mic out of a wedding video two days before delivery. Client never noticed.”

Ethan Brooks
Wedding Videographer
“I edit for clients in the US and UK on Upwork. This cut my turnaround time in half.”

Arjun Patel
Freelance Editor
“Object removal used to eat my whole night. Now I drop a prompt and keep moving on the shot.”

Lucas Moreau
VFX Artist
“Wasn't sure it could match a golden hour look on a clip shot at noon, but it did.”

Kenji Nakamura
Colorist
“wtf the 4K export actually holds up on a real timeline. green screen days feel ancient now”

Jake Sorensen
Freelance Filmmaker
“took me a bit to get the prompts right but now I edit full client jobs from a cafe”

Noah Keller
Remote Editor
“Pulled a boom mic out of a wedding video two days before delivery. Client never noticed.”

Ethan Brooks
Wedding Videographer
“I edit for clients in the US and UK on Upwork. This cut my turnaround time in half.”

Arjun Patel
Freelance Editor
“Object removal used to eat my whole night. Now I drop a prompt and keep moving on the shot.”

Lucas Moreau
VFX Artist
“Wasn't sure it could match a golden hour look on a clip shot at noon, but it did.”

Kenji Nakamura
Colorist
“wtf the 4K export actually holds up on a real timeline. green screen days feel ancient now”

Jake Sorensen
Freelance Filmmaker
“took me a bit to get the prompts right but now I edit full client jobs from a cafe”

Noah Keller
Remote Editor
“no cap this thing is scary good at matching lighting on night city clips. paid for itself on the first shot”

Malik Hassan
Content Creator
“Background mode kept my subject clean against mountain plates. Most tools still mess that up.”

Erik Nilsen
Adventure Filmmaker
“Auto mode picks the right tool more often than I'd like to admit. Our clients never notice the handoff.”

Z Studio
Post Production
“It's not magic, but on set it's a lot faster than waiting on a full VFX pass.”

Tom Reilly
Camera Operator
“lowkey thought it'd be mid but ngl it cooks. client edits slap now and I barely leave Premiere”

Diego Vargas
Freelance Editor
“no cap this thing is scary good at matching lighting on night city clips. paid for itself on the first shot”

Malik Hassan
Content Creator
“Background mode kept my subject clean against mountain plates. Most tools still mess that up.”

Erik Nilsen
Adventure Filmmaker
“Auto mode picks the right tool more often than I'd like to admit. Our clients never notice the handoff.”

Z Studio
Post Production
“It's not magic, but on set it's a lot faster than waiting on a full VFX pass.”

Tom Reilly
Camera Operator
“lowkey thought it'd be mid but ngl it cooks. client edits slap now and I barely leave Premiere”

Diego Vargas
Freelance Editor
FAQ
Get started
Buy once, install the Premiere Pro and After Effects panels, and generate AI VFX on your timeline.
$59 lifetime · Never expires · 200 seconds of AI VFX
7-day money-back guarantee